Cinema of Argentina Wikipedia. Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad. The Argentine film industry has historically been one of the three most developed in Latin American cinema, along with those produced in Mexico and Brazil. Throughout the 2. Argentina, supported by the State and by the work of a long list of directors and actors, became one of the major film industries in the Spanish speaking world. Argentina has won sixteen Goya Awards for Best Spanish Language Foreign Film, which makes it the most awarded country. It is also the only Latin American country that has won Academy Awards, in recognition of the films The Official Story 1. The Secret in Their Eyes 2. HistoryeditThe beginningeditIn 1. French photographer Eugene Py was working for the Belgian Henri Lepage and the Austrian. Cult Comedy Movies Eva De La Argentina ' title='Cult Comedy Movies Eva De La Argentina ' />Celebrate 100 years of Universal Pictures by sharing your memories and revisiting iconic moments from classics like Jaws, E. T. the ExtraTerrestrial, and The Big. L. A. Times entertainment news from Hollywood including event coverage, celebrity gossip and deals. View photo galleries, read TV and movie reviews and more. Max Glcksmann at the Casa Lepage, a photographic supplies business in Buenos Aires. The three all saw the debut of the Lumire Cinmatographe in Argentina,with a picture of the Lumires, took place on July 1. Teatro Odon, only a year after its debut in Paris. TopGrossing Movies of 2016. Note This chart ranks movies by the amount they earned during 2016. It includes movies released in previous years that earned money. If you remember Walt Disney Worlds Epcot in the 1980s or 90s, let us know what your favorite extinct Epcot song is in the comments. It might even just be the. Lepage then imported the first French cinematographic equipment into the country and though Eugenio Py who, using a Gaumont camera in 1. Argentine film, La Bandera Argentina which consisted of a flag of Argentina waving in the wind at the Plaza de Mayo,9 the credit belongs to German Brazilian Federico Figner, who screened the first three Argentine films on 2. November 1. 89. 6 shorts depicting sights of Buenos Aires. Earning renown, Py continued to produce films for exhibition at the Casa Lepage for several years, following up with Viaje del Doctor Campos Salles a Buenos Aires 1. La Revista de la Escuadra Argentina 1. Glcksmann in Argentina, Uruguay and Chile. Early developmentseditAmalia 1. Several Argentine artists continued to experime with the new invention, making news shorts and documentaries. Eugenio A. Cardini filmed Escenas Callejeras 1. Ipod Bunyan And Babe 2010 on this page. Mario Gallo made the first Argentine film with a point of view El fusilamiento de Dorrego Dorregos Execution, 1. Other directors such as Ernesto Gunche directed early documentaries. The Argentine history and literature provided the themes of the first years of film making. One of the first successes of the national cinema was Nobleza Gaucha of 1. Martn Fierro, the gaucho poem by Jos Hernndez. Based on Jos Mrmols novel, Amalia 1. El apstol, a satiric short on president. Hiplito Yrigoyen, became the first animated feature film in world cinema. Another notable 1. Francisco Defilippis Novoas Flor de durazno, was Carlos Gardel. Directors such as Jos A. Ferreyra began to work on producing films in Argentine cinema, releasing films such as Palomas rubias 1. La Gaucha 1. 92. Buenos Aires, ciudad de ensueo in 1. Films that followed included La Maleva, Corazn de criolla, Melenita de oro, Leyenda del puente inca 1. Odio serrano, Mientras Buenos Aires duerme, Arriero de Yacanto 1. El Organito de la tarde and Mi ltimo tango 1. In 1. 92. 6, Ferreyra released La Vuelta al Buln, La Costurerita que dio aquel mal paso and Muchachita de Chiclana followed by Perdn, viejita 1. Many of these Ferreyra films featured two of the decades most popular stars, Alvaro Escobar and Elena Guido. Towards the end of the decade, directors such as Julio Irigoyen began to release films such as Alma en pena in 1. Films such as these began to feature the Argentine culture of tango dancing into films, something which rocketed later in the 1. The Golden Ageedit. Golden Age of Argentine cinema. From top left to right Tita Merello, Libertad Lamarque, Luis Sandrini, Pepe Arias, Mirtha Legrand, Zully Moreno, Lolita Torres, Amelia Bence, Carlos Gardel, Olga Zubarry, Mecha Ortiz, Jos Gola, Hugo del Carril, Armando B and Nin Marshall. List of Argentine films 1. In 1. 93. 0, Adis Argentina became the first Argentine film to have a soundtrack. The film starred actresses such as Libertad Lamarque and Ada Cornaro who both debuted in the film. In 1. 93. 1, Jos A. Ferreyra directed Muequitas porteas, the first Argentine film to be made with Vitaphone sound synchronisation. That year, Ferreyra made a second sound film, El Cantar de mi ciudad, encouraging other early directors to make the transition to sound. Movietone arrived in 1. The first two Argentine cinematographic studios were created Argentina Sono Film was founded by ngel Mentasti Lumitn was created by a partnership led by Enrique Susini, who was instrumental in the introduction of television to Argentina in 1. The first disc less sound film was Tango 1. Luis Maglia Barth and a key film of the period was the tango film Dancing which saw the birth of a number of Argentine stars such as Amelia Bence and Tito Lusiardo other popular actors from the era included Aida Alberti, Armando Bo, Floren Delbene and Arturo Garca Buhr. Two such features which have endured in local culture are Honeysuckle, starring Libertad Lamarque and Casamiento en Buenos Aires, starring Nin Marshall. The two 1. 93. 9 films each featured themes that have become Argentine musical standards, likewise immortalizing the two leading ladies. Other films included El alma del bandonen,Mario Soffici, 1. La muchacha de a bordo,Manuel Romero, 1. Aydame a vivir, 1. Ferreyra Besos brujos 1. Ferreyra La vuelta al nido Leopoldo Torres Rios, 1. Asi es la vida 1. Francisco Mugica. Manuel Romero was a prominent director of the mid to late 1. Argentine star Luis Sandrini in films such as Don Quijote del altillo. The film industry in Argentina reached a pinnacle in the late 1. The films usually included tango, but even when a tango theme was omitted most cinema from this period still included humble heroes and wealthy villains. In these films, it portrayed hard work and poverty as ennobling and depicted the poor as the primary beneficiaries of Juan Perns economic policies. These films, in part supported by Pern, were seen as part of the political agenda of peronism. By supporting a film industry that attacked greed and supported the working class, Pern was able to influence the attitudes of his constituency to build public appeal. The growing popularity of the cinema of the United States, pressure from the Roman Catholic Church and increasing censorship during the Pern presidency limited the growth of Argentine cinema somewhat, not least because harassment led to the exile of a number of prominent actors, among them Alberto de Mendoza, Arturo Garca Buhr, Nin Marshall and Libertad Lamarque, whose rivalry with her colleague Eva Duarte turned against her when the latter became First Lady in 1. Argentine cinema began losing viewership as foreign titles gained an increasing foothold in the Argentine market. The problem eventually became so bad that Argentina tried to curb the influx with the Cinema Law of 1. Instituto Nacional de Cinematografa to provide education and funding. Among the eras most successful films were Historia de una noche,Luis Saslavsky, 1. La dama duende, Luis Saslavsky, 1. Malambro Lucas Demare and Hugo Fregonese, 1. Albeniz Luis Csar Amadori starring Pedro Lpez Lagar 1. Pelota de trapo 1. Crimen de Oribe 1. Leopoldo Torres Ros and Las aguas bajan turbias, by Hugo del Carril, 1. One of the few Argentine actors who made a successful transition into directing was Mario Soffici, who debuted behind the camera in 1. El alma del bandonen and went on to become an institution in Argentine film over the next generation among his most memorable work was the film adaptation of Marco Denevis bestselling mystery, Rosaura a la diez Rosaura at Ten OClock, for whose 1. Soffici wrote, directed and starred. In 1. 95. 8, the film Thunder Among the Leaves directed by Armando B was released. Titles Free Download.